荒木沙夏的免费网页并不走下流极端的路线，但如果你喜欢控制、审美和灵魂被轻轻踩踏的感觉，荒木沙夏就是你的毒药。她不适合混乱的人群，但绝对适合那些追求个性的人。
有一派人認為，性是會成癮的，就像毒品一樣。但是，實驗顯示，多看A片的人，大腦並不會因此對於情色事物麻痺、無感。他們的腦波變化並無異常，和一般人一樣，只能證明他們的性慾較強烈，和性成癮並無太大關聯，他們只是藉由性刺激來緩和負面情緒，以及對生活的一些不滿。因此，A片對於大腦來說，其實沒有一定的影響，一切還是需要等待科學更進一步的研究。
Blaming Steve for intervening, Diana pursues Ludendorff into a foundation where the fuel is staying loaded right into a bomber plane sure for London. She fights and kills him, but is puzzled and disillusioned when his death won't end the war.
Steve is interrogated While using the Lasso of Hestia and reveals that a terrific war is consuming the outside globe and that he is an Allied spy. He has stolen a notebook in the Germans' chief chemist, Dr.
どこをどう見たら、この映画を見て女性の存在意義とかバカなことを言えるのだろうか。
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Wonder Woman, in accordance with the BBC had "some wondering it's also feminist and Other individuals imagining it isn't feminist plenty of".[232] Kyle Killian found an inherent contradiction in the construction of Speculate Woman as "a warrior" who, she states, is extremely sexualized. Killian indicates these things "should not be the focus of the kickass heroine—her attractiveness, bone construction and sexiness—if she is for being a feminist icon".
軍神アレスを倒せば世界が救われるという、勧善懲悪的な思考で島を出たダイアナは、戦争を身をもって体験して、世界の複雑さを学んでいくのだが、物語自体は勧善懲悪から抜け出せていない点は少し残念。
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そして、彼を救出したことをきっかけに、ワンダーウーマンは身分を隠して文明社会で生活していくことになりますが、
The staff learns that a gala will probably be held with the close by German High Command. Steve and Diana separately infiltrate the social gathering; he intends to Track down the fuel and demolish it and she or he hopes to kill Ludendorff, believing that he's Ares.
I agree and would include that If you prefer something nearer towards the Italian formulation, but not sounding much too stilted in English, I might select JV's "I will be out there (all day long) for almost any enable/clarification you may have" in article #7, far better nonetheless, I think, if during the current tense "I'm available for any clarification / further aid etcetera..."
One notable criticism was directed towards facets of the ultimate act, Using the expose of Ares and also the climactic battle. Patty Jenkins later admitted when endorsing Surprise Girl 1984 that it absolutely was studio mandated, with her commenting "that was The one thing which the studio here compelled my hand on was that it was not purported to be, it had been designed to be like, that he never turns into Ares, The entire position of your Motion picture is you get there to the large monster, and he is just standing there investigating you saying, I failed to do anything at all.